![]() ![]() Both include return arrows next to most parameters to reset their values to the default, along with contextual pulldown selectors, and contextual menus (identified by three vertical dots). ![]() These panels utilize an interface design language consistent with Final Cut Pro. To apply Color Finale 2, drag the Color Finale 2 or Color Finale 2 Pro** effect from the Final Cut Pro effects palette onto any video clip, compound clip, title, generator, or adjustment layer (title effect) on the timeline.Ĭolor Finale 2 is divided into two sections - a control panel located in the Final Cut Pro inspector and a floating, resizable layer editing panel. The user will not normally need to access this application - it is used to check for and install updates to Color Finale 2. It also installs a separate Color Finale application required to operate within the macOS framework. In addition to feature differences, Color Finale 2 Pro will also interface with Tangent hardware control surfaces.Ĭolor Finale 2 installs as a video effect filter (plug-in) into both Final Cut Pro and Motion. This guide may refer to some features only found in the Pro version, so consult our website for a feature comparison between the two versions. Color Finale 2 is available in both a Standard and a Pro version. You can turn on your Video Scopes by going to View > Show in Viewer > Video Scopes. They look a little confusing and can be challenging to understand if you’ve never used them before. ![]() It surpasses the built-in color correction tools and turns Final Cut Pro into a professional grading solution. The Scopes are panels available in Final Cut Pro that show you the color information in your shots. Now, the mask will change size during playback between these points.Color Finale 2 is a color correction plug-in designed exclusively for Apple Final Cut Pro. Switch to Current Frame and adjust the mask. Then, advance the clip to the ending point for this size change. This becomes the starting position for the move. As an example if you want the mask to grow in size over the length of the clip, set the initial mask parameters in All Frames. When you apply a mask, the default is All Frames, meaning that shape will be used for the entire clip. Intersect means that only the overlap will become the active mask area. Subtract will use the second mask to remove a section of the first mask. Add combines the two shapes into a single mask action. Mode in the Masks section controls how overlapping masks act. Enable Show Mask to display the masked area in black-and-white, which is useful for adjusting Image Masks. When inverted, the color correction of that layer occurs outside of the mask area. A mask’s action can be reversed by clicking the Inverted button. The main section of the masks control panel includes numerical parameters for feathering, opacity, position, scale, and rotation. ![]() More than one shape mask can be applied to the same layer within this control panel and any shape or edge mask can be removed by selecting the mask layer in the Masks section and clicking the minus symbol (-). The viewer overlay also includes control tools for opacity and feathering, positioning, and the adjustment of spline points. The Image Mask is only available through the plus (+) selection and not via the on-screen buttons. Mask types include Rectangle, Ellipse, Polyline Path, B-Spline Path, Bezier Path, Edge (gradient), and Image Mask. Alternatively, you can click one of the mask options in the viewer overlay and use the mouse to apply that mask over the image. You can apply a mask either by clicking the plus symbol (+) at the bottom of the Masks section of the panel. It also adds a palette of mask tools that overlay the Final Cut Pro viewer. The mask control section replaces the color tool controls within the main part of the layers editing panel. ![]()
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